Icon
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An '''icon''' (from Greek εικων, ''eikon'', "image") is an artistic visual representation or symbol of anything considered holy and divine, such as God, saints or deities. An icon could be a painting (including relief painting), sculpture, or mosaic. By extension, '''''icon''''' is also used in the general sense of symbol — i.e. a name, face, or picture that is readily recognized by most people to represent some well-known entities or attributes. In computer jargon, an '''icon''' is a tiny, clickable picture used in graphical user interfaces to represent a program, file, user, etc: see icon (computing). See also the Icon programming language. Iconicity is a concept of linguistics. ''Icon'' is the title of a book by Frederick Forsyth. ==Icons in early Christianity and Judaism== The first mention of holy images in Judeo/Christian tradition is in the 2nd book of Chronicles where the King Solomon decorates the Temple with the images of cherubs (2 Chron 3:10): "And in the most holy house he made two cherubims of image work, and overlaid them with gold." Archeologists discovered a number of mosaics depicting the biblical events in the remains of ancient synagogues. Iconography gained importance in the Christianity because of the belief in incarnation of the Divine in visible material form. Eusebius of Caesarea, a bishop and early church historian, reports one popular story of the first Christian icon. In this story, Abgarus of Edessa sent a letter to Jesus Christ at Jerusalem, asking Jesus to come and heal him of his sickness. The true image at Edessa gave the generic name for a Veronica in the West. As the legend developed after Eusebius, Jesus took a linen cloth and pressed it against his own face, leaving the imprint of his face on the cloth, and sent that to the king. This cloth reportedly remained in Edessa until the 10th century, when it was taken to Constantinople. In 1204 it was lost when Constantinople was sacked by Crusaders. This is one version of the first icon. Eusebius also reports seeing many icons of Jesus, Peter and Paul that were of some age, as well as seeing a bronze statue of Jesus outside the house of the woman who was healed of a twelve year hemhorrage; the woman is mentioned in the Gospels, though the statue is not. There are also simple paintings of Jesus as well as depictions of Old Testament scenes found in early Christian catacombs, where Christians were not only buried but also lived in to hide from their Roman persecutors. Luke the Evangelist is also credited with painting at least three icons of the Virgin Mary, at least one of which is believed to be still extant, having been returned to Tikhvin, Russia in 2004. Iconography flourished during the Byzantine Empire beginning in the fifth or sixth century. ==Iconoclasms and the reformation== Starting in the eighth century, Christianity has seen seen many heated, sometimes bloody disputes about the veneration of images, which some regarded as innocuous or commendable, while other saw as a form of idolatry. These disputes often led to iconoclasms, the widespread destruction of icons. The most notable ones were the total ban imposed by Leo III in 730 throughout the Byzantine Empire, and the less successful repeat by his successor Leo VI in 813. Religious imagery was also a point of contention for the Protestant reformers, who incited or organized iconoclasms in various parts of Europe, and still generally avoid the use of such icons, in churches or at home.Image:Mary jesus icon.jpg
An example of a Russian Orthodox Icon of the "umileme" type
