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Dancing '''en pointe''' is the action of rising to 'tips of the
toes' whilst performing
steps from
ballet technique. Also known as '''pointe work''', it is mostly performed using hard toed
pointe shoes but can be performed using soft toed
ballet shoes. Dancing ''en pointe'' requires considerable strength and skill and is central part of a
ballerina's
training and
repertory.
In
1832 the
ballerina Marie Taglioni danced the full length of the
romantic ballet La Sylphide ''en pointe'' and is credited as the developer and pioneer of point work technique. Although a development of romantic ballet and a central element of
ballet dancing in general, other dance forms such as
jazz dance,
street dance and
tap dance also have steps that are performed ''en pointe''.
In the
1920s and
1930s Harriet Hoctor a
burlesque and
vaudeville dancer wore pointe shoes fitted with
steel shanks and platforms to allow tapping en pointe and backwards bends whilst en pointe. Other dancers fitted ball bearings inside between the platform to allow for faster turns but the dangers of the steel shanks snapping mean that such practices quickly ceased.
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