Rhythm and blues
Rhythm and blues (or R & B) is a musical marketing term introduced in the United States in the late 1940s by Billboard magazine. It replaced the term race music, which was deemed offensive. To some extent, the kind of music it is attached to has changed to whatever form of contemporary music is popular with African-American pop musicians and audiences.
|Rhythm and blues|
|Stylistic origins:||Upbeat blues and gospel|
|Cultural origins:||1940s US|
|Typical instruments:||Guitar - Bass - Saxophone|
|Mainstream popularity:||Much, constant, though the term has lost specificity|
|Doo wop - New Jack Swing - Quiet Storm|
In its first manifestation, rhythm and blues was a black version of a predecessor to rock and roll. It was strongly influenced by jazz and jump music as well as black gospel music, and influenced jazz in return (hard bop was the product of the influence of rhythm and blues, blues, and gospel music on bebop).
The first rock and roll consisted of rhythm and blues songs like "Rocket 88" and "Shake, Rattle and Roll" making an appearance on the popular music charts as well as the R&B charts. "Whole Lotta Shakin' Goin' On", the first hit by Jerry Lee Lewis was an R&B cover song that made number one on pop, R&B and country and western charts.
Musicians paid little attention to the distinction between jazz and rhythm and blues, and frequently recorded in both genres. Numerous swing bands (for example, Jay McShann's, Tiny Bradshaw's, and Johnny Otis's) also recorded rhythm and blues. Count Basie had a weekly live rhythm and blues broadcast from Harlem. Even a bebop icon like arranger Tadd Dameron also arranged for Bull Moose Jackson and spent two years as Jackson's pianist after establishing himself in bebop. Most of the studio musicians in R&B were jazz musicians. And it worked in the other direction as well. Many of the musicians on Charlie Mingus's breakthrough jazz recordings were R&B veterans. Eddie "Cleanhead" Vinson was a one-man fusion, a bebop saxman and a blues shouter.
It was not in the US but through the thriving UK pop scene of the early 1960s that R&B reached the height of its popularity. Without the same kind of racial distinctions that refused it acceptance in the USA, white British performers and listeners adopted this novel style of music without question, and groups such as The Rolling Stones and Manfred Mann brought it to a wider audience.
The term fell into disfavor in the 1960s being replaced by soul music and Motown, but has re-emerged in recent years indicating black popular music encompassing pop heavily influenced by hip-hop, funk, and soul music. In this context only the abbreviation R&B is used, not the full expression. It is gaining popularity nowadays.